accidental overdose of tranquilizers. Haines, a famous tennis player, is recognized on a train by Bruno Anthony, There are several differences in the British version of the film, including: One would have expected Hitchcock's return to major studio filmmaking to err on the side of chastened caution. are swiveling back and forth to follow the game -- except for one head, with him than with Granger's playboy. One of my top 50 movies, never seen on a big screen. The abiding terror in Alfred Hitchcock's life was that he would The psychopath suggests that because they each want to "get rid" of someone, they should "exchange" murders, and that way neither will be caught. [41] He was also photographed adding the letter L to Strangers on the official studio poster for the film,[26] thus changing the word to Stranglers. was a lesbian whose novels have uncanny psychological depth; Andrew Wilson's "seductiveness" in the American print. the Forest Hills tennis club. And then, Guy's wife turns up strangled to death. Hitchcock and his cast and crew decamped for the East Coast on October 17, 1950. Anne's sister Barbara says that the police will think that Guy is the murderer since he has a motive. excellent suspect because of the genius of the actual killer's original plan: "[I]n one of the most unexpected, most aesthetically justified moments in film,"[29] the slow, almost graceful, murder is shown as a reflection in the victim's eyeglasses, which have been jarred loose from her head and dropped to the ground. Highsmith Guy Haines (Granger), an amateur tennis star, chances to meet the eccentric Bruno Anthony (Walker) on a train. He knows that Guy is about to divorce his wife, and that he is also in love with Anne, the daughter of a US Senator. Strangers on a Train ( 1951) 100-101 mins | Drama | 30 June 1951 Cast: Farley Granger, Ruth Roman, Robert Walker [ More ] Director: Alfred Hitchcock Writers: Raymond Chandler, Czenzi Ormonde, Whitfield Cook Producer: Alfred Hitchcock Cinematographer: Robert Burks Editor: William Ziegler Production Designer: Edward S. Haworth Production Company: Senator Morton: Dreadful. The two sets of feet in the title sequence match each other in motion and in cutting, but they immediately establish the contrast between the two men: the first shoes "showy, vulgar brown-and-white brogues; [the] second, plain, unadorned walking shoes. It's worth noticing that These disturbing sounds, heard to superb effect in cues such as 'The Meeting,' 'Senator's Office,' and 'Jefferson Memorial,' are not just about Bruno, but about how he is perceived by those whose lives he crossesfirst Guy, then everyone in Guy's entourage."[37]. Strangers on a Train is a 1951 American psychological thriller film noir produced and directed by Alfred Hitchcock, and based on the 1950 novel Strangers on a Train by Patricia Highsmith. Sir. Once Bruno Antony acts on 'removing' Guy's wife, the movie ytakes off. [13] Treatment writer Cook used Guy to make the film "a parable quietly defiant of the Cold War hysteria sweeping America. [17] Although Ormonde was without a formal screen credit, she did have two things in her favor: her recently published collection of short stories, Laughter From Downstairs, was attracting good notices from critics, and she was "a fair-haired beauty with long shimmering hair. Buy it! Theatrical Trailer (SD; 2:34). Reviewed in the United Kingdom on July 30, 2017, Reviewed in the United Kingdom on January 26, 2016. Bruno agrees to kill Guy's unfaithful wife, in return for which Guy will (or so it seems) kill Bruno's spiteful father. A football match is always ninety minutes, stretched to thirty minutes extra and a possible penalty shoot-out at most. Hitchcock's trademark cameo) but you can look for yourself, in chapter six of He has no patience with mediocrity on the set or at a dinner table. The laying bare of Bruno's hidden nature, along with the great set pieces (head-turning tennis match, disintegrating carousel) and suspense as only Hitchcock can deliver, makes for a first-class trip. And since it is Guy's foot that taps Bruno's under the table, we know Bruno has not engineered the meeting. Images from the Hitchcock Gallery (click to view larger versions or search for all relevant images) 1000 Frames of Strangers on a Train (1951), articles about Strangers on a Train (1951), web links to information, articles, reviews, etc, Strangers on a Train (1951) - Warner Brothers (Blu-ray, UK, 2012), Alfred Hitchcock Collection - Warner Brothers (Blu-ray, UK, 2012), Der Fremde im Zug (1951) - Warner Brothers (Blu-ray, Germany, 2012), Strangers on a Train (1951) - Warner Brothers (Blu-ray, USA, 2012), Strangers on a Train (1951) - DVD releases, Strangers on a Train (1951) - Warner Brothers (UK, 2004), Strangers on a Train (1951) - Warner Brothers (USA, 2004), http://the.hitchcock.zone/w/index.php?title=Strangers_on_a_Train_(1951)&oldid=196012, to view all of the DVD releases of this film, see. Her suspicions aroused, Anne confronts Guy, who tells her the truth about Bruno's scheme. Closed-captioned, NTSC, Full Screen, Black & White. Patricia, as the outspoken young Barbara Morton, kid sister of Guy's fiance is a plot made of ingenuity and amorality, based on the first novel by Patricia man becomes the obvious suspect in the strangulation of his wife. Granger is excellent as the harassed young man innocently involved in murder. weaker characters, while the right is for characters who are either good, or [9], Kasey Rogers (credited as Laura Elliott) noted that she had perfect vision at the time the movie was made, but Hitchcock insisted she wear the character's thick eyeglasses, even in long shots when regular glass lenses would have been undetectable. My mum had said this was a great film, and she was right. Guy and Anne coldly walk away from him. Highsmith was a chameleon, a renegade, an experimenter, a loner, and a fantastically brave innovator. In accordance with the cautious censorship guidelines of the period, Hitchcock would later tame these elements of Walker's memorable performance by trimming and altering certain scenes, so the differences between the original and prerelease versions provide an illuminating illustration of censorship's effect on the story's thematic intensity. quite aware of Bruno's orientation, and indeed edited separate American and American Film Institute listed the film as #32 in AFI's 100 Years100 Thrills. Bruno agrees to kill Guy's unfaithful wife, in return for which Guy will (or so it seems) kill Bruno's spiteful father. He told the obscure writer that the famous one hadn't written a solitary line he intended to use, and they would have to start all over on page one, using Cook's treatment as a guide. The film's opening conversation scene on the train is like a tennis match in which Guy serves up one weak lob after another for Bruno to put sway. "[12] Chandler also felt that the original novel's plot was superior to Hitchcock's version, and argued that it should be restored. She threatens to claim that he is the father, in order to thwart any divorce attempt. As usual, Hitchcock kept his name out of the negotiations to keep the purchase price low. Bruno mentions Guy's missing cigarette lighter to Anne and claims that Guy asked him to search the murder site for it. Synopsis. the references to his private life, but inexplicably doesn't break off the Enhancements you chose aren't available for this seller. Guy nervously steps into the shadows with Bruno, literally behind the bars of an iron fence; "You've got me acting like I'm a criminal", he says. helps explain how Bruno could come so close to carrying out his plan. ("he's stronger," he told Francois Truffaut), but Holden would have meeting on the train, which was probably planned by Bruno, plays more like a "[23], Burks considered his fourteen years with Hitchcock the best of his career: "You never have any trouble with him as long as you know your job and do it. "[43] "This was good stuff for press agents paid to stir up thrills and it has been repeated in other books to bolster the idea of Hitchcock's sadism,"[36] but "we were [only] up there two or three minutes at the outside. My father wasn't ever sadistic. Screenshots. As Bruno dies, his fingers unclench to reveal Guy's lighter in his hand. criminal.". Strangers on a Train is a 1951 American psychological thriller film noir produced and directed by Alfred Hitchcock, and based on the 1950 novel Strangers on a Train by Patricia Highsmith. That combination came in the first Hitchcock said that correct casting saved him "a reel of storytelling time", since audiences would sense qualities in the actors that did not have to be spelled out. remains one of Hitchcock's crowning achievements and a suspenseful classic that never loses its capacity to thrill and delight. producer (uncredited) Music by Dimitri Tiomkin . A 1951 Psychological Thriller film directed by Alfred Hitchcock, based on a novel of the same name by Patricia Highsmith (of Ripliad fame), starring Farley Granger and Robert Walker. British version of the film -- cutting down the intensity of the audiences would sense qualities in the actors that didn't need to be spelled manner is pushy and insinuating, with homoerotic undertones. Roger Ebert was the film critic of the Chicago Sun-Times from 1967 until his death in 2013. Then a police car pulls up Reviewed in the United States on January 10, 2023. Hitchcock [6] He added the film in his Great Movies list. Where was the tennis match in Strangers on a Train? whose conversation shows a detailed knowledge of Guy's private life. Each will murder a stranger, with no apparent motive, so neither will be suspected. Guy, on the other hand, shows little interest in eating the lunch, apparently having given it no advance thought, in contrast to Bruno, and he merely orders what seems his routine choice, a hamburger and coffee. Psychotic mother's boy Bruno Anthony meets famous tennis professional Guy Haines on a train. is softer and more elusive, more convincing as he tries to slip out of Bruno's He always used the convention that the left side of the screen is for evil and/or weaker characters, while the right is for characters who are either good or temporarily dominant. Summaries A psychopath forces a tennis star to comply with his theory that two strangers can get away with murder. Although Hitchcock admitted to undercranking the shot (artificially accelerating the action),[34] it was not a trick shot: the man actually had to crawl under the spinning ride, just inches from possible injury. Guy wants to move into a career in politics and has been dating a senator's daughter (Ann Morton) while awaiting a divorce from his wife. Aboard a train bound for New York, Guy, the tennis pro, is shocked to discover how much information the wealthy stranger, Bruno, knows about him. "[22] Robert Burks received the film's sole Academy Award nomination for its black and white photography.[23]. Especially with Bruno, who held the movie together as he did the book." Bruno orders with gusto and with an interest in what he is going to eat lamb chops, French fries, and chocolate ice cream. One is tennis star Guy Hianes (Farley Granger) who is in the process of divorcing his unfaithful wife and the other is Bruno Antony, (Robert Walker) the psychopath son of a wealthy man who hates. "[47], Guy and Bruno are in some ways doubles, but in many more ways, they are opposites. Realizing that Guy is not the murderer, the police ask him to come to the station to tie up loose ends. There are two respectable and influential fathers, two women with eyeglasses, and two women at a party who delight in thinking up ways of committing the perfect crime. The press release embellished the tale, claiming he left her "dangling in total darkness for an hour,"[36] only then allowing his "trembling daughter" to be lowered and released. in a public fight with her earlier on the day of her death, and even told his fiance Bruno dreams up a crazy scheme whereby he and Guy exchange murders. "perfect crime" in which he would murder Guy's wife, Guy would murder Perhaps there will be those in the audience who will likewise be terrified by the villain's darkly menacing warnings and by Mr. Hitchcock's sleekly melodramatic tricks. [48], Roger Ebert wrote that "it is this sense of two flawed characters one evil, one weak, with an unstated sexual tension that makes the movie intriguing and halfway plausible, and explains how Bruno could come so close to carrying out his plan."[4]. Reviewed in the United Kingdom on September 7, 2015, Reviewed in the United Kingdom on February 24, 2021, Reviewed in the United Kingdom on May 21, 2021, Learn more how customers reviews work on Amazon, Closed-captioned, NTSC, Full Screen, Black & White, English (Dolby Digital 1.0), Unqualified (DTS ES 6.1), French (Dolby Digital 1.0), Leo G. Carroll, Farley Granger, Hitchcock, Patricia, Lorne, Marion, Roman, Ruth. "[53], Hitchcock continues the interplay of light and dark throughout the film: Guy's bright, light tennis attire, versus "the gothic gloominess of [Bruno's] Arlington mansion";[46] the crosscutting between his game in the sunshine at Forest Hills while Bruno's arm stretches into the dark and debris of the storm drain trying to fish out the cigarette lighter;[54] even a single image where "Walker is photographed in one visually stunning shot as a malignant stain on the purity of the white-marble Jefferson Memorial, as a blot on the order of things. The camera switches back and forth from the tennis match to Bruno dropping the lighter down a grate of a storm drain and struggling to recover it. Strangers On A Train is about two men, Guy Haines and Bruno Anthony, who meet on a train by accidentally knocking shoes. "[27], One of the most memorable single shots in the Hitchcock canon it "is studied by film classes", says Laura Elliott, who played Miriam[28] is her character's strangulation by Bruno on the Magic Isle. irresistible -- especially since Guy has a motive to murder his wife, was seen Sometime later, another stranger on a train attempts to strike up conversation with Guy in the same way as had Bruno. Poor unfortunate girl. Critic Jack Sullivan had kinder words for Tiomkin's score for Strangers than did biographer Spoto: "[S]o seamlessly and inevitably does it fit the picture's design that it seems like an element of Hitchcock's storyboards", he writes. and the other, far distant, makes a choking gesture. Over lunch in his private "[29], Hitchcock was, above all, the master of great visual setpieces,[32] and "[p]erhaps the most memorable sequence in Strangers on a Train is the climactic fight on a berserk carousel. A film of noir moments galore. [9] The amusement park exteriors were shot there and at an actual Tunnel of Love at a fairground in Canoga Park, California. sister gets the creepiest lines in "Strangers on a Train," especially in front of Guy's house, and he quickly moves behind the gate with Bruno; Strangers on a Train movie clips: http://j.mp/1yz9FQeBUY THE MOVIE: http://j.mp/UinqkeDon't miss the HOTTEST NEW TRAILERS: http://bit.ly/1u2y6prCLIP DESCRIPTION:Guy (Farley Granger) notices a sinister face watching him from the crowd.FILM DESCRIPTION:In one of Alfred Hitchcock's suspense classics, tennis pro Guy Haines (Farley Granger) chances to meet wealthy wastrel Bruno Anthony (Robert Walker) on a train. Walker's role has extreme color, and he projects it deftly. they're now both behind bars as he says, "You've got me acting like I'm a It is a twisting story of a male-on-male relationship that Patricia Highsmith often proffered (same-sex, male or female) in her best novels like this one. 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